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January 24th, 2005:

Chapter 4: Put on the spotlights!

Once again, I was visiting Jens Ritter in his workshop in beautiful Palatinate. Christmas was just over, and since I have sold my digital camera right before the holidays - what have I thought by doing that...? - I could not document the visit myself. Fortunately Jens took some pictures which he just emailed to me.

To get a little bit of pleasant anticipation, and to perform at What4's CD release party including a TV performance with the adequate instrument, Jens loaned me a Roya 5-String in Futura finish, which he luckily had in stock. The look of that instrument is already remarkably similar to the instrument I'm going to get. Insofar, you can make yourself a pretty good imagination of what's coming up.

For all of you who want to know the details exactly, here's a list of things that are going to be different on my instrument: the tuners will not be black but chrome, the output jack will be on the backside and the neck will have a nice black fret board instead of that wine red mahogany one.

By the way: the very neck has gone through a remarkable development during the last weeks. As you know, I'm playing very often on pretty dark stages with Darkseed. Especially when the light man wants to save power on the lights but blows up the fog generator, you can easily get lost on your instrument. For giving me the total orientation even in that case, we have replaced the side dots of the fret board with blue LEDs. This is very helpful, even in Ultimate Darkness! Plus, as I described in the last chapter, the fret board will wear my name on the 12th fret, and when we were planning the LEDs for the side dots, we also put some LEDs behind the name as well. Watch Jens soldering a 9 volts battery on the neck, demonstrating how pretty the neck shines!

If you have read the last chapter intently, you have surely recognized that the writing looks a bit different that on the fret board I'm holding in my hands in chapter 3. Unfortunately the letters were too thin to get some LEDs underneath them, and so we had to replace the fret board by a new one, holding a single inlay in the 12th fret. This one has now 4 LEDs underneath.  Nevertheless the first fret board will not be disposed. Jens and I already have some plans for it: we're thinking about a 10-string bass...!

Another reason for my visit was that Jens needed the borrowed bass back. He needed to prepare it for the NAMM Show, the first big music fair of every year, in Anaheim near Los Angeles, where he was going to exhibit that bass and many more! With a heavy heart I had to return the bass which meanwhile I become fond of.

While I was watching Jens' basses in his show room which he planned to prepare for the NAMM show, I recognized a bass hanging on the wall which immediately fascinated me: it was a Ritter Roya 5 string as well, but with a high polished black finish, golden hardware and furthermore fretless! Of course I wanted to check out that beautiful instrument at once, and after a few notes, when I was already totally fascinated by that instrument, Jens offered me to take the bass home and check it out - of course totally unselfish ;-) !  When I got home I got even more enthusiastic, and after Jens offered me to buy the bass for an unbeatable price which could not resist!

Well, here we are: as an official endorser of Ritter Basses, I am now the owner of my first bass made by Jens Ritter, and I am very proud to present those very fine instruments! As soon as possible, I will upload some sound files recorded with the fretless. Until then, you have to be satisfied with some pictures. ;-) Here it is: Ritter Bass serial number 0307:

Now you can imagine how these two instruments will look side by side:

Ok, let's hope that we can add another chapter of "Bass in progress" pretty soon, so that the little boy will get his little sibling! ;-) 

See you later!

Autograph
Martin Motnik

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